That's because you still need to set the aspect ratio of your screen. Where it says "size," type in the width of your screen. Now we're going to go to the “finish” panel (don’t worry about the other stuff, we’ll do it later). If it's your first time making desktop backgrounds, you might want to write your screen resolution down on somewhere. On both Mac and P.C., go to Settings -> Display, and then have a look at what is selected. You need to know your computer's screen size before you begin. Creating desktop wallpapersĪs much as I enjoy the convenience of using Diptic, the process of creating desktop backgrounds is neither easy nor readily apparent. Aside from that, I like to create quick photo collages to post to Facebook. I have a lot of images that aren't particularly spectacular on their own but look great when combined with others. My favorite use is creating desktop backgrounds with my photos. The Mac version is really good if you need to edit What can you do with Diptic? There are two versions of the app by the way. Go to the app store and search for "Diptic." Or see Diptic's Website. absolute matching of subject treatment, color, and scale are critical.At just $.99, you won't want to miss this. make prints with the same printer with the same inks on the same paper, preferably in the same work session. Output diptych components using the same stringent controls that you shot with. “Use the highlight eyedropper in your image editor to help you keep whites in the 245–252 range.” and work fast, because flowers fade quickly under bright lights. “Don’t blow out the highlights, especially if you’re shooting white flowers or against a white background,” Benoist cautions. Use a sturdy tripod to hold the camera in place, and maintain the same light output and distance between shots. After you’ve nailed composition, lighting, and exposure for the first photo, shoot the second under the exact same conditions. “practice on the less perfect ones, and then, when you’ve ironed out the shooting details, bring out the true beauties.” Step 3 “Choose many of them, so you have subjects to play around with,” says Benoist. this means finding complementary subjects, lighting and composing them similarly, then printing them to scale with carefully matched color palettes. Unless you have a system that lends itself to diptychs (as Benoist does), begin with the intent of producing two images to display together. Whether you shoot two subjects together or pair them later, give diptychs a try. I look for color combinations that match or complement each other nicely, or I sometimes base the decision on form or subject matter.” “I didn’t shoot these similar peonies as a diptych, but I liked both so much that I retouched and now present them together,” she adds. It’s how they’re displayed in my portfolio, in books, and, sometimes, website,” says Benoist. ![]() “I’ll often think about images as doubles. Matted and framed as one, each image can comment on the other, deepening a viewer’s understanding and appreciation of both-a visual one-two punch. This technique of doubling up pictures proves that reproducing similar subjects together can add up to more than the sum of the parts. Her solution? Presenting flowers as pairs in the form of a diptych. In fact, she likes flowers so much, she often can’t decide which of her many floral studies to retouch, print, mat, and frame. But she also likes shooting flowers: “Nothing comes close to natural forms for sheer beauty,” Benoist says. ![]() ![]() Claire Benoist is a Brooklyn, NY, pro who contributes product photography to this (and many other) publications.
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